I'm going to be introducing a new character in about a month's time, but to do that I need a typewriter. When I originally did this thirty years ago everyone knew what a typewriter was, but in this digital age I now feel I have to plant the typewriter first and explain what it is.
Sometimes you have to go retro in a cartoon anyway. These days most electrical tools have become small white boxes. A phone could be an MP3 player could be a computer could be a video recorder. To counter this we cartoonists have to go back in time just to convey an object's function. This probably explains why the Beano comics I read as in kid in the 1970s seemed to be visually stuck in the 1950s.
The typewriter is my dad's old Olivetti, in full late 70's aubergine regalia, so it it matched the bathroom. (Don't ask.)
Monday, 31 January 2011
Sunday, 30 January 2011
Teasers for July 2011
Once a year Smith and Jones make the trek down to the beach here at Hastings. This year they will discover not just sun and sand, but something even better...
Some photo reference for this summer's story...
Some photo reference for this summer's story...
Mike Pike Essipode 3
First of all, I've worked out how to get bigger scans up on the blog. (An entire blogosphere goes 'duh!' as one.) To see a readable version of this month's essipode simply click on the image to the right and you'll see a much bigger version appear.
OK, what's going on here?
Frame One: Rod Lucas. The nearest thing BBC Radio Kent had to a shock jock in the mid eighties - a bit of a populist conservative, very much of his time, he started off playing records to housewives and then moved on to an evening phone in show. He was very much the kind of bloke who would complain on air about foreigners all the time and that the country was going to the dogs. He's now working in Spain for a radio station for British ex-pats. Insert your own irony here.
Frame Two: Observers book of Weird Thingies. First off, I couldn't spell weird - remember, it's I before E except after W. Observers books were pocket sized hardback spotters' books on all subjects, published by a company whose only other product appeared to be the Beatrix Potter books. Subjects would range from the obvious like birds, butterflies and trees, but soon veered into more esoteric fare like lichens, canals and 'larger moths'.
Frame Six: French exchanges were reciprocal arrangements between schools in France and England, where families would host unwilling 13 year old students in each other's countries over the Easter holidays. It was essentially an orgy of international shoplifting, paid for by each country's respective educational system.
Frame Seven: Eric is essentially my avatar. I did look like that in the 80s. The reference to Jenny is a bit of an in-joke - she was the name of the love interest in a musical I had written the book for the year before. And no, that's never getting an airing again! The pub interior I've drawn is of one of the booths in the Royal Oak in Tunbridge Wells.
And yes, it is all very Prisoners of the Sun, isn't it? More follows next week, in an essipode that is not quite as terrifying as the teaser promises...
OK, what's going on here?
Frame One: Rod Lucas. The nearest thing BBC Radio Kent had to a shock jock in the mid eighties - a bit of a populist conservative, very much of his time, he started off playing records to housewives and then moved on to an evening phone in show. He was very much the kind of bloke who would complain on air about foreigners all the time and that the country was going to the dogs. He's now working in Spain for a radio station for British ex-pats. Insert your own irony here.
Frame Two: Observers book of Weird Thingies. First off, I couldn't spell weird - remember, it's I before E except after W. Observers books were pocket sized hardback spotters' books on all subjects, published by a company whose only other product appeared to be the Beatrix Potter books. Subjects would range from the obvious like birds, butterflies and trees, but soon veered into more esoteric fare like lichens, canals and 'larger moths'.
Frame Six: French exchanges were reciprocal arrangements between schools in France and England, where families would host unwilling 13 year old students in each other's countries over the Easter holidays. It was essentially an orgy of international shoplifting, paid for by each country's respective educational system.
Frame Seven: Eric is essentially my avatar. I did look like that in the 80s. The reference to Jenny is a bit of an in-joke - she was the name of the love interest in a musical I had written the book for the year before. And no, that's never getting an airing again! The pub interior I've drawn is of one of the booths in the Royal Oak in Tunbridge Wells.
And yes, it is all very Prisoners of the Sun, isn't it? More follows next week, in an essipode that is not quite as terrifying as the teaser promises...
Saturday, 29 January 2011
Millie No 3
Wendy James? Transvision Vamp? Remember them? No, me neither.
I'm being completely unfair. I'm sure she can say with even more justification "Millie? What was that? Don't remember it!" And "Baby I don't care" was a bloody good single. After the Vamps broke up Elvis Costello wrote an entire album for her, so I think that shows she had more talent than the critics ever credited her for.
But sadly I still get the feeling that the next time we'll see her is in the line up on Never Mind the Buzzcocks.
I don't know if Jason Donovan ever made it over the pond, but he was once a cog in the PWL hit factory that gave us Kylie Minogue and Rick Astley, and was serious manufactured pop royalty. He started off in the same Australian soap as Kylie, playing her boyfriend and eventually married her in the show. He then sang a duet with her which was Number 1 for what felt like a year. He's since found his niche in musical theatre (he was the first Joseph when Andrew Lloyd Webber revived Joseph and the Amazing Technicolour Dreamcoat).
I'm being completely unfair. I'm sure she can say with even more justification "Millie? What was that? Don't remember it!" And "Baby I don't care" was a bloody good single. After the Vamps broke up Elvis Costello wrote an entire album for her, so I think that shows she had more talent than the critics ever credited her for.
But sadly I still get the feeling that the next time we'll see her is in the line up on Never Mind the Buzzcocks.
I don't know if Jason Donovan ever made it over the pond, but he was once a cog in the PWL hit factory that gave us Kylie Minogue and Rick Astley, and was serious manufactured pop royalty. He started off in the same Australian soap as Kylie, playing her boyfriend and eventually married her in the show. He then sang a duet with her which was Number 1 for what felt like a year. He's since found his niche in musical theatre (he was the first Joseph when Andrew Lloyd Webber revived Joseph and the Amazing Technicolour Dreamcoat).
Friday, 28 January 2011
The Wall
Rules are rules of course, and Smith should never be allowed to actually get up onto the wall, any more than Charlie Brown should ever be allowed to kick the football. Nonetheless, it's good to let him have something approaching a victory every now and again.
Wednesday, 26 January 2011
Snowflakes
Is it actually mathematically possible for every single snowflake to have fallen on planet earth to be different, while remaining six sided and symmetrical along three axes? Water is strange stuff indeed. While we're at it, why is water the only stuff in the universe that gets bigger when it gets colder? Answers on a postcard please....
Tuesday, 25 January 2011
Burns Night
Aye. 'Tis Burrrrns night the neet, and in lieu of piping in a haggis here's a Riverfields comics from a few years ago.
Riverfields is still up on the original Comics Sherpa site. To read it from the beginning go to http://www.comicssherpa.com/site/feature?uc_comic=csmdx&uc_full_date=20060807
Riverfields is still up on the original Comics Sherpa site. To read it from the beginning go to http://www.comicssherpa.com/site/feature?uc_comic=csmdx&uc_full_date=20060807
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